Chucho y Poncho Sánchez

san baltazar chichicapam, OAX

The hermanos Sánchez Altamirano represent the 4th generation of mezcaleros in the Sánchez family. Having learned their craft from their late father, the famed Faustino Sánchez, Poncho & Chucho built palenque “Los Hijos de Juana” named for their mother in 2019, and have continued the family’s legacy. 

An elderly man wearing a cowboy hat and a checkered shirt sitting on a chair and holding a stick, next to a pile of chopped firewood in an unfinished room with a small altar with flowers and religious items.
Chucho Sanchez standing on dry, rocky terrain holding a machete, with mountains and sparse desert vegetation in the background, wearing a maroon polo shirt and gray pants.

THE BASICS (December, 2020)

How old are you, and how long have you been making mezcal?

Chucho Sánchez: Since I was a little kid, I would help my father and brothers in the palenque, but by the time I was a teenager, I wasn’t interested. I had no idea this is what I would wind up doing. Even when I wasn’t interested, I was still helping my dad, and learning how to do this and that, practicing it.

How many generations has your family been producing mezcal?

Chucho Sánchez: It started with my grandparents or great-grandparent, but basically, they weren’t working 100% on mezcal. They only distilled for events or for their own consumption. Later, my father had the vision to build a palenque, and he started that with my oldest brothers Miguel and Beto, while Poncho was in the United States, and I was still in school.

How long have you worked in your palenque?

Chucho Sánchez: When I was young, my father would rent time in other people’s palenques. Then, when he had enough money to build his own, we worked there, and I shared with all of my brothers after my father passed. In 2018, Poncho and I decided to build a new palenque, “Los Hijos de Juana,” and little by little we set it up. So where we work now is very new.

Has your approach to making mezcal changed over the years?

Chucho Sánchez: The process for us is exactly the same. Our father told us, “this is how things are done” and that’s how we still do it today. What’s changed is the structure of the palenque. We’ve built it to be as practical as possible so that if I’m working alone, I can do everything without too much trouble. We designed it based on idea from our experience working in other palenques where we noticed little problems. But the mezcal is the same as it’s always been..

What’s the difference between good and bad mezcal?

Chucho Sánchez: It’s difficult for me to tell you what is a good or bad mezcal. Of course when you taste something you don’t like, you know it, but I’ve never tasted a bad mezcal that was adulterated or something like that. I don’t drink. I taste my own mezcal, or when I visit a friend, I taste their mezcal, but I don’t know anyone who makes adulterated mezcal and I’ve never tried it.

Chucho Sanchez chopping an agave plant on a dirt hillside with desert plants in the background.
A ladder leaning against a concrete wall next to a large pile of dirt in a construction or gardening area.
Two men wearing cowboy hats and button-up shirts working with shovels indoors.

PRODUCTION

Oven: 10 Ton Pit

Cook Time: 3 Days

Wood: Encino

Rest: 5 Days

Mill: Hebradora + Tahona

Fermentation Tanks: Ocote Pine (Pinus Sp.)

Water: Well

Fermentation Time: 3-5 Days

Distillations: Two

Still: 275 Liter Copper Alambioues

Adjustment: Puntas and Colas* 

A man wearing a wide-brimmed black hat, plaid shirt, and gray t-shirt holding an old, weathered bowl outdoors against a blue sky with some clouds.
A clear glass bottle with a pink cap, containing a transparent liquid. The bottle has a bright green label with black handwritten-style text that includes "Mal Bien," "Chucho + Poncho Sánchez," and "Jabalí + Espadín."

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